
Earl Sweatshirt, MIKE, and SURF GANG drop 'Leadbelly' from their forthcoming double LP
Double album 'POMPEII // UTILITY' lands on 3rd April alongside extensive world tour

On her third album 'Ricochet', Lindsey Jordan swaps teenage romance for mortality, time and the terror of loving anything too much. It's her most expansive and emotionally ambitious record yet.
On her third album 'Ricochet', Lindsey Jordan swaps teenage romance for mortality, time and the terror of loving anything too much. It's her most expansive and emotionally ambitious record yet.

The Beach Boys-inspired track follows 'My Life'.
On her third album 'Ricochet', Lindsey Jordan swaps teenage romance for mortality, time and the terror of loving anything too much. It's her most expansive and emotionally ambitious record yet.

Her first release in three years follows a lengthy recovery from injury.
Eleven dates are confirmed from Exeter to London's Electric Ballroom this October.
Debut EP 'These Things Take Time' arrives after sold-out Lime Garden tour dates.
Thirty-four first-time nominees feature across seven categories at this year's ceremony.


Plus, Militarie Gun, 1000 Rabbits, Ain't and Goodbye.
The singer pairs her Def Jam single with a brand new visual.
The five-piece lift a new single from their debut EP, due in spring.
Member-first reads, behind-the-scenes pieces and premium extras that hit Dork+ before anywhere else.
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On 'Good Intentions', Ego Ella May loosens her grip on perfection and lets the music breathe. Recorded with community spirit and guided by intuition, it's a confident step forward built on freedom over fear.
On 'Good Intentions', Ego Ella May loosens her grip on perfection and lets the music breathe. Recorded with community spirit and guided by intuition, it's a confident step forward built on freedom over fear.

Punk abrasion meets warehouse euphoria on CHALK’s debut ‘Crystalpunk’ – a record rooted in place and powered by possibility.

As the duo return with their new EP 'Butterfly', Alaska Reid takes us inside every track from folk-horror imagery and county-fair nostalgia to anxious inner voices and bruised devotion.

Sad love songs, London as muse, and a deliberate step back from the pop machine. Here’s what Olivia Rodrigo told British Vogue.

Kim Gordon - Sonic Youth co-founder, visual artist and lifelong disruptor - is back with her third solo album 'Play Me'. It's a fierce, funny record that dares AI (and everyone else) to keep up.

Cardinals’ debut album ‘Masquerade’ is cohesive, confrontational and fully formed - a statement of intent from a band already looking beyond genre.

Seven albums deep, James Blake is no longer chasing chart positions or fire-emoji approval. 'Trying Times' finds him back in London and unafraid to confront capitalism, celebrity culture and his own ambition, delivering a record that's both deeply personal and politically awake.

With ‘Somewhere, In Between…’, the Dallas band confront frustration, industry pressure and a decade spent pushing their sound forward.

Punk abrasion meets warehouse euphoria on CHALK’s debut ‘Crystalpunk’ – a record rooted in place and powered by possibility.

As the duo return with their new EP 'Butterfly', Alaska Reid takes us inside every track from folk-horror imagery and county-fair nostalgia to anxious inner voices and bruised devotion.

Sad love songs, London as muse, and a deliberate step back from the pop machine. Here’s what Olivia Rodrigo told British Vogue.

Kim Gordon - Sonic Youth co-founder, visual artist and lifelong disruptor - is back with her third solo album 'Play Me'. It's a fierce, funny record that dares AI (and everyone else) to keep up.

Cardinals’ debut album ‘Masquerade’ is cohesive, confrontational and fully formed - a statement of intent from a band already looking beyond genre.

Seven albums deep, James Blake is no longer chasing chart positions or fire-emoji approval. 'Trying Times' finds him back in London and unafraid to confront capitalism, celebrity culture and his own ambition, delivering a record that's both deeply personal and politically awake.

With ‘Somewhere, In Between…’, the Dallas band confront frustration, industry pressure and a decade spent pushing their sound forward.
The rising artists will support Prima Queen at London’s 100 Club on 15th April.
Tina Fey hosted the premiere, with Wolf Alice and Kasabian to follow in the next two weeks.
Meg Remy's theremin-laced waltz co-written with Raconteurs' Jack Lawrence is her first venture into composing for film.

It follows three BRIT nominations and four MOBO nods for the South Londoner.
The Oli Bayston-produced record follows the trio's 2024 EP 'This Old House', with lead single 'Crash Landing' streaming now.


Twenty-two arena dates are confirmed from Birmingham to Belfast in autumn.
The entirely analogue single arrives ahead of her forthcoming album 'The Afterparty'
It packs a heavy, guitar-driven arrangement that departed significantly from the original.

The trio's new record lands alongside lead single 'Carry On' and arena dates.
The rising artists will support Prima Queen at London’s 100 Club on 15th April.
Tina Fey hosted the premiere, with Wolf Alice and Kasabian to follow in the next two weeks.

It follows three BRIT nominations and four MOBO nods for the South Londoner.

The Oli Bayston-produced record follows the trio's 2024 EP 'This Old House', with lead single 'Crash Landing' streaming now.

Twenty-two arena dates are confirmed from Birmingham to Belfast in autumn.

Chilli Jesson's project touring behind self-titled Fiction Records debut this May
The entirely analogue single arrives ahead of her forthcoming album 'The Afterparty'
Meg Remy's theremin-laced waltz co-written with Raconteurs' Jack Lawrence is her first venture into composing for film.
underscores' 'U' is a proper pop album, not in spite of its oddness, but because of it.
underscores' 'U' is a proper pop album, not in spite of its oddness, but because of it.

'Lost On You' sounds like a record made by people who know exactly what they do well.




'Lost On You' sounds like a record made by people who know exactly what they do well.

Theresa Jarvis and co. arrive with a new clarity of purpose.

This is a proper pop album, not in spite of its oddness, but because of it.

This is theatrical pop with precision and purpose.

The strongest case in years that Gorillaz can still make records that matter as records.

Witch Post treat ordinary scenes like fragile little artefacts, turning them over to see what’s hidden beneath.

'Play me' doesn’t try to comfort. It tries to provoke, energise and outlast the scroll.

‘GOLDSTAR’ thrives on that tension between sincerity and showmanship.

The influence of chaotic, high-energy pop sits right at the centre of their DNA.

These songs come from months of demo-hoarding and forensic listening, the band archiving every practice-room spark before lovingly picking through the results.

Blake sounds energised by the room he has carved out for himself.

Over sixty acts have been revealed in an extensive first wave for Hamburg festival.
Their debut vinyl pressing pairs with their first EP as a double A-side.

Three November shows follow time in the studio working on new material.
It's a final glimpse at his mixtape ahead of its late March arrival.
Bosnian composer and accordionist Nihad Hrustanbegovic will perform around the historic venue on each night of the week-long run.
Photographer Simon Emmett was granted unprecedented access across the global reunion dates.


Lynks’ upcoming Dork’s Night Out just got a serious boost, with the support act now confirmed.
The collaboration features on her upcoming second album 'This Music May Contain Hope'
Guitarist Daniel Kessler delivers rare vocal moment during live debut of new track