
Here's 5 things we learnt about Olivia Rodrigo’s upcoming album from her new British Vogue profile
Sad love songs, London as muse, and a deliberate step back from the pop machine. Here’s what Olivia Rodrigo told British Vogue.
Kim Gordon - Sonic Youth co-founder, visual artist and lifelong disruptor - is back with her third solo album 'Play Me'. It's a fierce, funny record that dares AI (and everyone else) to keep up.
Seven albums deep, James Blake is no longer chasing chart positions or fire-emoji approval. 'Trying Times' finds him back in London and unafraid to confront capitalism, celebrity culture and his own ambition, delivering a record that's both deeply personal and politically awake.
Seven albums deep, James Blake is no longer chasing chart positions or fire-emoji approval. 'Trying Times' finds him back in London and unafraid to confront capitalism, celebrity culture and his own ambition, delivering a record that's both deeply personal and politically awake.

New single 'Be With You' premiered via a launch into space.
The Leeds five-piece's debut record 'Pain Travels' arrives via Big Scary Monsters this spring.

The festival is scheduled to run from 1st to 6th June across Shoreditch.
This third and final single precedes the 'Might Smash A Window' EP.
The single was produced by Ezra Skys, who has previously worked with Central Cee and Odeal.
Ten new tracks featuring Kenny Beats, M-Phazes and more arrive in June.


The band's debut EP collects all six previous singles.
Over 10,000 tickets have been snapped up six months before the tour begins.
It's a first glimpse at a larger body of work from the trio, 'FYI'.
Member-first reads, behind-the-scenes pieces and premium extras that hit Dork+ before anywhere else.
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Cardinals’ debut album ‘Masquerade’ is cohesive, confrontational and fully formed - a statement of intent from a band already looking beyond genre.
Cardinals’ debut album ‘Masquerade’ is cohesive, confrontational and fully formed - a statement of intent from a band already looking beyond genre.
Organisers call it the biggest rap-focused day in the Lisbon edition's history
Factory Floor, Rostam, Ratboys and more join the festival's 20th anniversary edition.
Clarence Clarity produces the pointed solo track from the WOOZE frontman.

The 3800-capacity Kensington venue confirms its opening run of live dates.
Heart-shaped locks, shifting colours, and the word 'April' fuel the speculation.


The New Zealand singer is now fully independent after her childhood contract ends.
The folk-pop five-piece head out on UK headline dates this spring.
Over 200 acts are now confirmed across ten stages at Bánffy Castle, Transylvania.

'Price Of It All' arrives from the upcoming Prime Video comedy series.
Organisers call it the biggest rap-focused day in the Lisbon edition's history
Factory Floor, Rostam, Ratboys and more join the festival's 20th anniversary edition.

The 3800-capacity Kensington venue confirms its opening run of live dates.

Heart-shaped locks, shifting colours, and the word 'April' fuel the speculation.

The New Zealand singer is now fully independent after her childhood contract ends.

Cardinals’ debut album ‘Masquerade’ is cohesive, confrontational and fully formed - a statement of intent from a band already looking beyond genre.
The folk-pop five-piece head out on UK headline dates this spring.
Clarence Clarity produces the pointed solo track from the WOOZE frontman.
Across 'Crystalpunk', CHALK wire punk confrontation into the physical rush of rave culture.
Across 'Crystalpunk', CHALK wire punk confrontation into the physical rush of rave culture.

The strongest case in years that Gorillaz can still make records that matter as records.




The strongest case in years that Gorillaz can still make records that matter as records.





The influence of chaotic, high-energy pop sits right at the centre of their DNA.






The strongest case in years that Gorillaz can still make records that matter as records.

Witch Post treat ordinary scenes like fragile little artefacts, turning them over to see what’s hidden beneath.

'Play me' doesn’t try to comfort. It tries to provoke, energise and outlast the scroll.

‘GOLDSTAR’ thrives on that tension between sincerity and showmanship.

The influence of chaotic, high-energy pop sits right at the centre of their DNA.

These songs come from months of demo-hoarding and forensic listening, the band archiving every practice-room spark before lovingly picking through the results.

Blake sounds energised by the room he has carved out for himself.

Across 'Crystalpunk', CHALK wire punk confrontation into the physical rush of rave culture.

This isn’t an album built like a straight line from hook to hook. It moves in waves, often favouring texture and atmosphere over immediate release.

Nothing about the album asks permission: it wants a dancefloor, a crowd and a slightly irresponsible amount of volume.

'Can We Hang Out Sometime?’ chases the pure pleasure of great guitar pop.